Tag Archives: River of Stones

Astreya’s Sorrow

The seventh book set in Astreya’s world will be available this fall. In the meantime, you can read the first chapter.

Chapter 1: In which Bastian prepares to seek his fortune


It was the twenty-fifth birthday of Sebastian Pierre Martin Crétien Gaspard de Coligny, sometimes called Bastian, though seldom to his face. It was also the day he officially took up the responsibilities and privileges of adulthood. Though he had the leading role in his birthday festivities, the event was all about The Family, as led by his Aunt Clarice and Uncle Arthur. It was their conviction that no other name was as fine, as wealthy, as old and revered as theirs, since they could trace their ancestry more than five centuries back to Gaspard de Coligny, martyr to his Huguenot faith in that old and faraway country that had long been forgotten by persons of lesser lineage. They expected Bastian to celebrate The Family and his coming of age by choosing a bride from one of the maidens they had selected from those they regarded as the best families of Cottontown. They were soon to be disappointed.


The high-ceiling room was crammed with people in their best attire, all come to witness Bastian’s accession into manhood, and more importantly, to witness the conjoining of two important families. The crowd pulsed and seethed. Swords and spurs menaced hoop skirts and crinolines. Candles dripped wax on linen tablecloths. Despite the room’s high ceiling and open windows, the temperature rose. Everyone was desperately uncomfortable, but nobody would admit it — at least not until the evening was over. 


Six young women stood in line facing the purple velour and gold-leaf chairs in which sat Bastian’s aunt and uncle. He stood beside them, wearing tight blue formal trousers, a gold-trimmed bum-freezer jacket and ruffle-fronted white shirt. Auburn hair framed his aristocratic face, which was set in an aloof stare. The fair ones from whom he was to choose his bride ranged in age from a maiden so much too young that he was embarrassed that her parents had allowed her to compete so publicly for his hand and roving eye, all the way up to a woman so much too old for him that the words ‘well preserved’ came to his mind. The four in the middle he knew only distantly. They had all grown up within walking distance, but had been kept separate in their respective schoolrooms where their teachers performed their primary task as wardens of sexual repression for six days each week, the seventh being reserved for Sunday church. 


Bastian’s domini, as that learned but louche ornament of faded gentility chose to be called, taught him heavily mythologized history, a smattering of practical mathematics, a simplified version of astronomy, and more practically, how to wear and use a dagger. His teaching method was to ridicule Bastian’s mistakes, pour scorn on his efforts, and belittle his achievements. Fortunately, the domini was exceedingly lazy, so after a few years, the two of them came to an unspoken agreement that since the domini had already taught enough, he should cease, giving Bastian time to do as he chose so long as he did not disturb his teacher’s lasting and eventually fatal relationship with the bottle. While his domini drank himself senseless, Bastian roamed the family library, reading about how life had been before the Dark Century which followed the Great Cataclysm. He read secret works of forbidden knowledge often disguised by fake covers or hidden in false-backed shelves. He revelled in forbidden accounts of days when cunning devices allowed men to exchange ideas and give commands over great distances and at lightning speed. He delighted in accounts of how long ago ships crossed oceans bearing untold riches, and he marvelled at accounts of when people flew above the clouds. All this reading made Bastian yearn for a day when such wonders were once again possible. 


There was no one with whom Bastian could safely talk about what he had read. There were severe penalties for re-inventing the past, because everyone knew that any such knowledge would inevitably lead to disaster. Parents and teachers did all they could to maintain an optimum level of ignorance about life before The Great Catastrophe, which had definitively established that there are things mankind was not meant to know. Sermons, homilies, lectures and prayers, as well as severe penalties enforced by law, all ensured that the righteous few whose ancestors had survived the Catastrophe would remain pure throughout the present and depraved time until almighty justice smote the sinful world while the chosen few enjoyed their heavenly reward. To this end, priests taught a muscular, self-sufficient, and unquestioning faith, in which a mans good right arm was the source of his prosperity, and the virtue of his wife was the measure of his social status. 


Admonitions adorned the church Bastian attended every Sunday of his life. Carved over the door, on the ceiling, and around the windows were the maxims of a life well lived:


“God gives only what man earns,” 


“Praiseworthy men protect faithful families,” 


 “Wise men shield women and children from falsehood,”


“Obedient women keep silence in this wicked world.”


The faith of Jean Calvin, as mutated by The Great Catastrophe, taught Bastian that he was one of the few who were were chosen to go straight to heaven, where they would praise the Almighty forever, grateful that they had not been extinguished with the great majority. At the age of sixteen, since he going to heaven anyway, Bastian decided to make himself as satisfied, content, and prosperous as possible. 


Fortunately for Bastian, his decision was in harmony with what his aunt and uncle had planned for him. The process started with Bastian learning as much as he could from his uncle Arthur, a man with a formidable nose and a forbidding manner. Bastian shadowed his uncle at work, watching him exact obedience from underlings, compel industry from workers, and negotiate deals small and large, all of which he did stony-faced, even-voiced and inscrutable. At the close of each day, Arthur pointed his nose at his nephew, fixed him with a reptilian gaze, and had him recount all that he had seen and learned in merciless detail. 


Thanks to his tutor, Bastian knew how to withstand scorn, and in time earned his uncle’s grudging approval. As he neared his 25th birthday, his uncle Arthur made clear that Bastian would inherit the family business. From that moment on, their evening discussions grew almost cordial. However, Arthur did not know that Bastian had no intention of waiting until his uncle passed on to his foreordained bliss.


For Bastian, apprenticeship ended the day he realized how Arthur acquired his impressive mansion, financed his aunt Clarises undisputed control of Cottontowns society, and funded Bastians training as his heir. His route to wealth lay in keeping other people in debt. Arthur found men in need of money, lended them cash at a level of interest nicely calculated to relieve them of profit, thus guaranteeing that they had to borrow from him again.


Until the party to celebrate his manhood, Bastians life had been focussed exclusively on the male world of business and commerce. Apart from chaperoned meetings in formal drawing rooms, and sidelong glances at the daughters of the families who occupied the front pews for Sunday church, Bastian knew only what his aunt had told him about the five women from whom he was to pick a wife. 


However, Bastian was not without sexual experience. Since his late teens he had known occasional nights of debauch in another world less than an hour’s walk up and over the southwestern ridge to Black Bay, where the exclusively White male members of the leading families of Cottontown indulged in anonymous, impersonal interactions with more or less willing Black women. At first led by his domini, then on his own, Bastian partook in these silently sanctioned exceptions from the chastity and sobriety professed by men of his social standing.


Bastian’s guardians, Arthur and Clarise de Coligny were determined to protect their family’s bloodlines from contamination by the lesser orders of humanity. Cloistered chastity for girls and discrete debauch for boys ensured that all were groomed like the puppies of champion hunting dogs so that they would be ready for advantageous marriages. Everyone at Bastian’s birthday party — except for the much-too-young girl — understood both the spoken and unspoken rules perfectly. 


Bastian was planning to break them all.


The closest he came to being attracted by the young women paraded before him was the one who was far-too-old. Almost as tall as he, she had been gussied up a in dark velvety-green dress that began in a straight line across her collar-bones, and fell unimpeded all the way to the floor. The garment was designed to show off her smooth white shoulders, arms, and hands that had never done anything more demanding than needlework, while shrouding her every other part in mystery. Bastian bowed to the correct angle of deference. As he bent towards her cold fingers the words ‘painfully thin’ ran through his mind, and he understood that her compressed lips were those of a woman doing her best to hide within herself until her public humiliation would be over. He gave her a distant and respectful nod: the one he had perfected for mayors, ministers, and business competitors his uncle Arthur was about to fleece. 


Moving on down the line, Bastian inclined his head over small gloved fingers that pulled him towards a deep cleavage between breasts barely restrained by plum-coloured satin. He recovered his hand and strode on to bend over bony knuckles belonging to a gangling young brunette in a dress so far out of style that it must have been her mother’s. He stepped two more paces to the right where his fingers were grabbed in both the sweaty hands of a plump, auburn-haired girl in a dress as pink as her rounded cheeks. His formal obligation completed by an air kiss above her knuckles, he pulled his hand from her damp grasp and contrived to dry his fingers unobtrusively on his best blue trousers before they were clutched by a young woman with a blonde, head-tossing, curly-whirly confection of hair that effectively doubled the size of her head. Fragrance of magnolias exuded from the tight, shiny, aubergine dress into which she had been crammed. Bastian bent over her hand, avoided her wide hazel eyes, nodded solemnly, and escaped her over-perfumed presence to make his way to the last of the line, where he manufactured his most polite and distant smile for the much-too-young girl with a big gap between her front teeth, hoping she was sufficiently excited at being allowed to be up past her bedtime that she would have no memory of him whatsoever.


Duty done, Bastian bowed from the waist at all six, then at the hovering mothers and aunts, at their respective husbands, and slightly but significantly less deeply toward the rest of Aunt Clarice’s invitees. Then as quickly as decorum would allow, he strode down the wine-red carpet between the families, friends and freeloaders, on past the maids, footmen, attendants, and hangers-on, through the big double doors and up the main stairs to his room, where custom dictated he should consider his verdict for a judiciously calculated quarter hour before re-appearing to announce which fair maiden would be his choice. 


Aunt Clarice had informed him in advance that he was to choose the pungent purple one, the eldest daughter of old money from sugar with whom the family’s fortune in cotton would profitably merge. However, Bastian had no intention of obeying. Instead he had decided to disappear and make a fortune in the same way as Arthur had taken over so many smaller businesses. Then he would triumphantly return and blend his own and his family’s business.


Bastian wore a wry smile as he ran up the stairs from the crowded ballroom to the small suite where he had lived ever since his parents failed to return from his father’s fatal attempt to catch a marlin from a rowboat. He prized up the loose floor board in the east alcove, took out a money pouch and a stag-horn sheath-knife, and hung them from his belt. Then he picked up the long-stemmed rose that he was supposed to present to the perfumed aubergine one before waltzing her into the formal engagement that would lead to wedding and bedding. He pinned the blood-red bloom to the head-board of his bed with the fancy little pearl-handled dagger that had ornamented his right thigh throughout the ceremony. Then he glanced at his reflection in the tall, mahogany-framed mirror, adjusted the ruffles of his shirt, curled his mouth into his most cynical smile, gave thanks that his nose was not as grotesque as his uncle’s, and then while still admiring his image, slung his longest and most anonymous cloak around his shoulders in a ripple of black shadows, and stole silently down the servant’s staircase, through the back door and out into the night. Invisible to the well-dressed people murmuring to each other within the lighted windows, he climbed over the garden wall, and walked down the darkened streets to the harbour where lay a three masted schooner awaiting his arrival and the turn of the tide. 


As he walked through the darkened town, Bastian gleefully contemplated his own audacity. Instead of merely augmenting his familys fortune, he would make his own. He savoured the plan had come to him on one of his moonlight adventures to Black Bay. He had been drinking in a tavern frequented by old sailors who, once primed with rum, told him tales of ships that sailed north of the line where the compass failed, south to the Sunny Isles, and eastward far out of sight of land — all of which would have been unbelievable to anyone who had not spent hours reading forbidden books. 


In that one evening, Bastians expectations expanded, and his plans for the future were never again circumscribed by the tight and tidy world of the best families who lived in Cottontown. He had been aware of the great ships since childhood, and had marvelled at their size and the array of goods which they traded. The priest advised his congregation that the ships were vessels of evil, and his uncle Arthur warned him off the sailors from the north because they could not be caught in the spider’s web of debt in which Arthur managed his business. The two prohibitions merely made Bastian’s plans more devious and cunning. 


Three months before his birthday, when two of the ships from the north were in harbour, Bastian had lurked in The Binnacle, the pub frequented by the skipper of the great ship Elusive whenever she visited Cottontown.


The tap room was unusually empty that Friday night, with a scant half dozen men drinking at the tables. Two men in seafarersblue jackets with bright brass buttons and black breeks sought out the darkest corner of the inner wall, where shoulder-high wooden panels screened them from a smaller booth next door. A single candle on the table between the two was little more than a yellowish glow to remind the server to refill their mugs without attention to their faces. From their seclusion they could observe the bar, the door, and the central common tables, which were dimly lit by lanterns hanging low enough to threaten the head any man over average height.


The two men spoke quietly, thinking that their voices were inaudible beyond the dark alcove. In a corner of the booth next to them a black cloak hung from beneath a shapeless hat. To a casual glance, the garments looked as if they had been abandoned by a forgetful, drunken customer; but under them Bastian sat very still, his ear pressed against a thin panel separating the booths. He had snuck in by the back way. A coin each to the cook, the pot boy, and the taverner, and he was hidden before the two captains came in the front door.


The brim of a borrowed hat on his nose, Bastian memorized words, names, and phrases. He knew what the two men looked like, because he had followed them at a distance as they came from their ships to the tavern.


One was tall, blonde, bearded, blue-eyed, with muscular shoulders and a bold, swaggering manner. He was in his late twenties, which was roughly half the age of the other, who was a head shorter and as nondescript as the other was distinctive. However, the older man spoke with the confidence of experience, to which his handsome friend gave grudging attention.


“I don’t like it, Trog,” said the undistinguished, shorter man.


“It’s just good business,” the good-looking one replied defensively.


Bastian’s attention redoubled.


“Yeah, but it ain’t fair. Not how ‘Streya set things up when he started the business.”


“I don’t cheat. Elusive does the long trips, the open-ocean voyages. All you do is cruise the coastline and call in at the smaller ports with cargo I bring to you, for which I’ve payed a fair price.”


“But you sell it to Damon and me for more.”


“Transport costs.” 


A brief silence indicated that neither believed the excuse.


“Point is, Trog, that by pocketing the extra, youre cheatin’ the fleet, cheatin’ us all.”


Under his hat, Bastian smiled. He had found an exploitable individual, well placed within a functioning organization that was not limited by a single commodity. A few weeks later, Bastian strode confidently towards the schooner Elusive, with whose captain he had secretly booked passage to the Sunny Isles.



Shirley MacKenzie can see into my head

Here is one of the illustrations Shirley Mackenzie drew for River of Stones, which will be launched in the next few days. When I looked at her first draft, a host of objections swarmed into my mind. Where were the steps my characters ascended as they came up the companionway from the great stern cabin to stride across the smooth white deck of the command position? So I started to kvetch obsessively about details that couldn’t possibly appear in a drawing that fits into a ten centimetre square space in the text.

Next morning, I realized that she’d given life and action to a moment in the story when the three masted schooner Elusive charges past the headlands on her way toward the final scene in the story.

Shirley MacKenzie can see into my head. That’s what it feels like when she shows me one of her illustrations for my books. It’s as if she were looking over my shoulder into my dream-like imaginings where my stories come from. I find myself saying, “How did she know that?”

Believe me, this is rare. Writers get together to commiserate about illustrations to their novels. Book designers slap images onto the covers of books that are ludicrously at odds with the stories inside. Authors go apoplectic when the slim, intellectual, raven-haired beauty in their text is represented by a buxom blonde with a blank stare.

Shirley drew the dragons for The Laughing Princess, put the psychedelic VW camper-van on the cover of The Hippies Who Meant It, and now she’s captured the schooners in my imagination and realized them on the pages of The River of Stones.

Story Behind The Astreya Trilogy

Published in Upcoming4.me, Monday, 10 February 2014.  Updated April 2015. Updated again, September 2016.

In the 1970s, when I lived in Halifax, Nova Scotia, I sailed as mate on a traditional 50-foot wooden schooner, leaving early one summer day from the Bras d’Or lakes, near where Alexander Graham Bell tested his airplane, the Silver Dart. By evening, the ragged northern end of Cape Breton had disappeared over my starboard shoulder. Alone at the wheel, listening to the creaking, splashing, sighing sounds of sailing, I heard dolphins whistle, and when dawn came, I saw the sun rise on southern Newfoundland’s wall of cliffs that fall hundreds of feet into the sea. My skipper’s navigation was excellent: dead ahead was the flashing light of the navigation buoy we needed to guide us to a gap in the cliffs, less than a quarter mile wide.

Once through the turbulent passage, the water was calm as a lake. There were several miles of what the Scots call a sea-loch that widened into high-sided bays and inlets, on the least steep of which was the tiny community that shares the fjord’s name, Grey River. (You can visit on Google Earth.)

When we went ashore, we met children who had been picking cloudberries, which look like big blueberries, except that they are white. We were the first visitors from “away” — other than the crew of the semi-annual supply ship — that the youngsters had ever met.

I wondered what might happen to the people of Grey River if the ship stopped coming. Would their community forget, and be forgotten by the rest of the world? What if a cataclysm turned back history to the days when schooners sailed the East coast of North America? Suppose that steel ships, airplanes, electricity, radio, TV, the internet, computers and all but a few libraries were all lost. After a century or so of isolation, what would a bold adventurer find if he voyaged south?

When I got home, I wrote my first sentence:
Ancient, round-shouldered mountains met the sea only a little south of where winter held the ocean ice-clad the whole year long. Along thecoastline, where harbors were few and hard to find, jagged rocks combed the breakers, grinding at shards of wood that might once have been ships.

A few pages later, I met my adventurer, Astreya. When he is 17, his widowed mother gives him his father’s knife, a riddling notebook and a mysterious bracelet. He makes his way south, through storms, shipwreck, betrayal, enslavement, night escapes, knife fights, sea battles, secret passages, treacherous relatives; along the way meeting with unexpected allies and a girl named Lindey who believes in the power of logical persuasion, supplemented by the occasional preemptive blow from her quarterstaff.

The Astreya Trilogy is science fiction, I guess, although it’s pretty damn real to me. More specifically, it’s a nautical fantasy, a post-apocalypse adventure, and a love story. There are mysteries, but no magic; animals, but no werewolves or zombies; the laws of nature are bent but not broken; and the technology is either known to, or extrapolated from science. What’s 17th century technology in a post apocalypse world doing in a science fiction story? Damned if I know, but it was where I could find different small ways of life, including a traditional fishing village, several boats and ships, and a community led by women. Over the years, I learned more and more about them, only some of which ever got into the trilogy, long as it is.

For nearly 40 years after my trip to Grey River, I kept writing about Astreya’s long and dangerous journey towards his destiny, sometimes only to discard almost as much as I wrote. When I retired, I finally found time to devote exclusively to the story. Astreya unfolded from a novella into a novel into a sequel and eventually into a trilogy of more than 1,000 pages. I’m a slow writer, and there were times I thought it would never be done. In 2010, I finally finished. I asked myself, what’s the point of writing a great big thick book if nobody publishes it? I had read somewhere that Christopher Little, J.K. Rowling’s agent, was a keen sailor and yachtsman, so I crafted what I hoped was an appropriately persuasive email, attached the first chapter of The Astreya Trilogy, and sent it off into the trackless electronic cloud. I feared that all I would get would be a curt note from a flunky who was helping manage more money from the Harry Potter series than the Gross Domestic Product of a medium sized country. Then I discovered that Little was no longer Rowling’s agent. However, in a matter of days I received a polite reply, referring me to David Hayes’ website, Historic Naval Fiction, which is an encyclopedic guide to fiction and non-fiction about the great days of sail. I edited my letter and sent it again.

David wrote back a day or so later, referring me to Fireship Press, located in Tucson, Arizona, on whose website I read a straight-talking statement ending: “Fireship Press does almost everything electronically so, if you need to reach us, first try: info@FireshipPress.com. If all else fails, try: 520-360-6228.” I took hope, even though Tucson is a long, dry way from the sea, because in the meanwhile I had been reading the websites of fantasy and science fiction publishers whose names escape me, which demand hard copy submissions via snail mail, expect that any material be sent to them exclusively, and advise that their turnaround time is at least six months.

In only a couple of weeks, Fireship Press’ founder and editor, Tom Grundner, made me an offer. I hesitated for two amazed nanoseconds before emailing “Yes!” and dancing around the house, yelling incoherently. Not long after, my old friend Spider Robinson, who never doubted I could write even when I wasn’t too sure, wrote some very nice things in his review of Astreya. Praise from a Hugo and Nebula winner is sweet indeed. And then, a year after Astreya was published, along came a little book of twelve stories involving dragons called The Laughing Princess.

So, what’s next?

I can tell you for sure that you’re not going to see another trilogy that takes almost 40 years to finish. However, there’s a character in The Astreya Trilogy who wandered into the third book without my permission, took over half a chapter, and has since been demanding that I tell his story. He’s no angel, so he wants me to gloss over his more nefarious exploits. We’re debating how much is too much, and I think I’m winning.The Astreya Trilogy is available in paperback or electronic format from Amazon.com, Amazon.ca, Barnes and Noble.com and Chapters.ca. So is The Laughing Princess, which is also available in Spanish as La Princesa Valiente.

It’s now April, 2015, so I’d like to update;

The Laughing Princess is now available illustrated by Shirley MacKenzie.  You can browse the pictures on my site, and if you can’t find a copy at your local bookstore, and/or you don’t like Amazon, drop me a line and I’ll send you one (for a modest fee).

The first two volumes of Astreya are available on Podiobooks.com.  Just follow the links from my website.  I’m working on volume three, and should have it done in a month or so.  As with The Laughing Princess if you can’t find a copy of Astreya I, II or III at your local bookstore, and/or you don’t like Amazon, drop me a line and I’ll send you one (for a modest fee).

I’ve started in on another book set in Astreya’s world, provisionally titled River of Stones.  It’s 22 years since Astreya and Lindey thwarted Mufrid, and their son Trogen is searching for a way to move out of his father’s shadow.  Even though I’m finding my way through the story faster than the 40 years it took to finish Astreya, it’s slow but enjoyable work.  Perhaps when chapter one is a little more solid, I’ll put it up where you can take a sneak peek.

It’s more than a year later, (September, 2016) and I just received an encouraging email from Andrew, to whom I replied with the following:

Andrew

Thank you for your kind email about Astreya.

I’m working on a second book set in Astreya’s world, but I’m a slow writer.  It’s about half done, at a guess. I might be able to finish next year.

It’s 20 years later. Astreya and Lindey have two children, twins, Trogen (that’s Norwegian for true), Mairi (the Scottish pronunciation of Mary rhimes with “marry”).  Trogen has a problem with being the son of a famous and highly respected father; Mairi is more focussed, which means that when she gets promoted over him to command a new, two-masted schooner, Trogen’s resentment escalates.  All this is background to a menace from the past — Mirak, embittered by the years, seeking revenge and filled with a desire to possess the stones, and with them, Elusive, Cygnus and the little schooner Cygnet, which under Lindey and Astreya’s leadership have created a  trading enterprise up and down the coast, with a shipyard near Matris, headed up by Andrew (‘Drew) who you will remember was the head of the young men who were caught up in The Snatch.

It’s easy to write the foregoing to you, because you’ve just read the trilogy.  It’s not so simple to create a stand-alone story that involves characters from the  previous work.  Who to include?  Who to leave out?  Who stays the same?  Who develops?  Well, let me introduce the foremost characters of River of Stones — the pro tem title.

In addition to Trogen and Mairi, there are the six children of Dabih and Becky, of whom Nancy and Eliana are important to the new story; Max and Ellen’s son Neil (Max ran off, leaving Neil to have daddy-issues of his own); and there’s red-haired Peter from Charton who isn’t part of “the family” but who blew everyone’s mind by being able to control the stones.  All of them are aboard Cygnet, with Mairi as skipper, Trogen as navigator.  Also aboard Cygnet is Marley, who’s black and comes from the Sunny Isles, which is where I am right now, with Mairi talking to Lady Orinda, wife of the big man of those southern islands (which seem to be a lot like Mauritius, in which I lived from 1945 to 49). In addition to Mirak and his crew of heavies, there’s Fred, who works with and for Mirak, and who likes blowing things up.  If I can ever get to the next chapter, Fred and company will attack the crew of Cygnet and kidnap Eliana (Ellie).

And now I must leave you and get on with it.